The viewer begins to understand the selfish arrogance of Stuart, and the dependent relationship of Vince, to the viewer's dismay. Harding's direction is particularly effective, as Davies escalates character development as the series moves toward the end. Davies' script is pointed and efficient, and Charles McDougal's and Sarah Harding's direction (of episodes 1-4 and 5-8, respectively) keeps the action moving and the dialogue sparkling. It's certainly time for more honest depiction of alterative lifestyles, even though these characters may represent a cultural minority. Its liberated tone and sassy manner flings itself at the viewer with uninhibited abandonment. It's easy to see where this original British version of "Queer as Folk" generated talk when it debuted in the UK.
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